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Pottery, porcelain and
ceramics are three easily confused terms to describe the
earthenware production in China. Therefore, it seems necessary to
give you some explanations before we arrive at the Liulichang
Cultural Street in Beijing.
China is famous for its
china - porcelain wares. Chinese porcelain wares were and are
exported to many nations and acquire high appraisement.
Porcelain also
experienced a long history in China. During the Shang and Zhou
dynasties, primitive porcelain wares emerged in the middle and
lower reaches of Yangtze River and the Yellow River. Real
porcelain wares appeared in the Han dynasty. In the process of
porcelain development, different styles in different periods
blossomed.
From the Han dynasty,
celadon porcelain and black porcelain were mainly produced.
Celadon porcelain continued to develop during the later dynasties.
In the late Tang dynasty, celadon porcelain production techniques
matured and were manufactured in large scale. At the same time,
white porcelain, which appeared in the later Northern and Southern
dynasty, reached its peak too. White porcelain, mainly produced in
Xing Kiln in Hebei province, sounds like musical instruments when
tapped.
The Song dynasty, the
most important dynasty in Chinese porcelain history, brought
prosperity in porcelain production and appreciation. There were
many famous kilns, and Ru Kiln, Jun Kiln, Guan Kiln, Ge Kiln and
Ding Kiln were the top five among them. Ru Kiln produced creamy
porcelain wares while Jun Kiln produced rosy porcelain wares red
as sunset glow. Ge Kiln was specialized in artificial cracky
wares. Among them, the most famous were Ru Kiln wares. The fine
and delicate Ru wares which used special glaze with carnelian
added. The Ru wares basically had four kinds of glaze according to
color, namely azure, sapphire, moon white and turquoise. It was
very difficult to control the firing temperature and glaze
prescription. Since the production of Ru ware lasted only 20
years, Ru wares are so rare that only about 70 pieces are found
nowadays in the world. In a word, in the Song dynasty, porcelain
production and techniques reached an unprecedented height.
During the Yuan
dynasty, porcelain industry continued its rapid development. Blue
and white porcelain, which emerged in the Tang and Song dynasties,
reached its maturity. The blue and white ware was painted with
power blue under transparent glaze. So the color was perfectly
protected under the hard glaze, enabling long-term use and
reserve. Among those kilns, Jingdezhen kiln made breakthrough in
techniques. It remodeled material prescription and improved firing
temperature, hence facilitated producing large wares. Second, blue
and white wares and red-under-glaze wares were successfully
produced and rapidly matured, to mark that combination of Chinese
painting and porcelain production reached maturity and
color-under-glaze porcelain wares developed to a record high.
Third, great achievement was made in the producing of colorant
glaze. Before the Yuan dynasty, people had few color choice.
In the Ming dynasty,
blue and white porcelain wares became the main stream of porcelain
production. Blue and white ware stepped into its golden era during
the Yongle, Xuande and Chenghua reigns. Delicate and thick glaze,
various patterns and affluent models are basic features of the
Yongle and Xuande porcelain wares. Chenghua wares were delicate
and lighted colored, with Chinese ink wash painting flavor. In the
late Ming dynasty, blue and white porcelain met another surge
during the reigns of Jiajing, Longqing and Wanli.
In the Qing dynasty,
blue and white made a great leap forward to radiate its worldwide
influence. Among the Qing porcelain wares, those produced in the
reigns of Kangxi, Yongzheng and Qianlong are the most famous.
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